Flamenco show from March 23nd to 26th

Ana Belén Álvarez Moreno , a flamenco dancer of non-Gypsy descent, known in the dance world by the artistic name Anabel Moreno.

Anabel was born in El Padul (Granada) in 1979. She began her training at Mariquilla's school (Granada 1988-93), later with Cristóbal Reyes (Granada 1991), Juan Andrés Maya (Granada 1994-99), Javier Varón (Granada 1992-2001), Manolete (Granada 1993-95), Belén Maya (Madrid 1996/03/04), Rafaela Carrasco (Granada 2003-04), A. Granados (Granada 2003-04), Yolanda Heredia (Granada 2003/04), Juana Maya (Granada 2002), Mercedes Ruiz (Granada 2003/04) and finally with the master Mario Maya (Granada 2003/04).

She has also received training in Classical and Contemporary Dance, as well as in Dramatic Arts and solfège.

She has worked with the Mariquilla Ballet and the Juan Andrés Maya Ballet, and was the principal dancer in "Mis Raíces," a show by Juan Andrés Maya for the 44th edition of the Granada Music and Dance Festivals (1996). She has also worked in the dance troupe for "El Amor Brujo" and "Flamenco Soy," both shows presented at the 45th edition of the Granada Music and Dance Festivals.

She has worked as a solo flamenco dancer on tour with Curro Albayzín, and in various shows of the Dance or Zambra of Sacromonte Granada.

In 2003, she presented her own show at La Chumbera, and in 2004 she joined Mario Maya's company, performing at the Villamarta Theatre as part of the Jerez de la Frontera Flamenco Festival. She performed at the Peña La Platería on Saturday, February 19, 2005, with Juan Ángel Tirado on vocals.

She has also worked as an actress in the play “Rómula” by Enrique Torres Infantes, playing the role of “Rómula”.

She is awarded first prize for best performance. She participates in the play "Mothers in the Clouds" by Carmelo Cifuentes, in the role of "Gertrudis".

Antonia Jiménez, flamenco guitarist

Gypsy guitarist born in El Puerto de Santa María (Cádiz), in the year 1972.

From a very young age he began playing flamenco guitar with Antonio Villar, accompanying the singing and dancing in Andalusian tablaos and peñas, later moving to Madrid where he toured the most important tablaos and venues in the capital.

He joined the Arrieritos and Nuevo Ballet Español companies, while also advancing his studies with the maestro Enrique Vargas.

She has accompanied singers such as Carmen Linares, Montse Cortés and Juan Pinilla among others; and dancers such as Merche Esmeralda, Marco Flores, Olga Pericet, Rocío Molina, Manuel Liñán, and Belén Maya among many others, with whom she has toured almost the entire world.

Pedro Jesús Obregón Uceda, flamenco singer.

Cantaor payo, better known by the artistic name Pedro Obregón, was born in Fernán Núñez (Córdoba), on November 27, 1975.

He began singing at the amateur gatherings of the Peña Flamenca “El Mirabrás” to which he belongs and where he gave his first recitals.

For several years he has been requested as a singer to accompany the dance by different dancers from Córdoba, which he combines with his performances singing "adelante", a facet to which he has dedicated himself preferentially and almost exclusively since 1997.

He has won the following awards: First Prize in the Fernán Núñez Local Competition (Córdoba), 1993. First Prize in the First Edition of the Young Flamenco Performers Competition of the Provincial Council of Córdoba, 1997. First Prize in the Competition of the Peña Flamenca “Merengue de Córdoba”, in Córdoba, 1998. First Prize in Cantes de Málaga and Granada in the Calasparra National Competition (Murcia), 1999. Prize for Best Young Singer in the Montalbán Competition (Córdoba), 2000. Second Prize in the Ubrique Competition (Cádiz), 2000. Second Prize Camarón de la Isla Memorial in San Fernando (Cádiz), 2000.

The critic Agustín Gómez wrote of him: "Pedro Obregón has a medium-sized voice that is secure and balanced, full of nuances. He masters it perfectly in his performance, with a keen ear and personal taste; but the best thing about him is that he traces his melodic arc and technical game with admirable ease and security, without repeating a single appoggiatura or embellishment note; he perfectly links the beat and is ambitious in his learning with great self-awareness."